{"id":1179,"date":"2021-05-22T11:22:16","date_gmt":"2021-05-22T18:22:16","guid":{"rendered":"http:\/\/development.moviemaker.com\/?p=2818"},"modified":"2023-01-31T05:22:19","modified_gmt":"2023-01-31T13:22:19","slug":"things-ive-learned-as-a-moviemaker-15","status":"publish","type":"post","link":"https:\/\/www.moviemaker.com\/things-ive-learned-as-a-moviemaker-15\/","title":{"rendered":"Things I&#8217;ve Learned As A Moviemaker"},"content":{"rendered":"<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"137\" align=\"right\">\n<tr>\n<td>\n<p class=\"text\"><img loading=\"lazy\" decoding=\"async\" src=\"\/hop\/issues\/07\/images\/HappyAccidents.jpg\" width=\"250\" height=\"166\" border=\"1\" alt=\"Happy Accidents\" \/><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"caption\"><i>Happy Accidents<\/i><\/td>\n<\/tr>\n<\/table>\n<p><span class=\"text\"><b>On the Instinctive Formula<\/b> <\/span><\/p>\n<p class=\"text\">If<br \/>\n  you want to learn what kind of a filmmaker you are then trust your<br \/>\n  artistic instincts first, commercial instincts second and parents&rsquo;<br \/>\n  instincts last. If you want to make a lot of money, reverse these.<\/p>\n<p><span class=\"text\"><b>On Challenging the Audience<\/b> <\/span><\/p>\n<p class=\"text\">It&rsquo;s<br \/>\n  better to challenge the audience and lose then pander to their every<br \/>\n  whim and win.<\/p>\n<p><span class=\"text\"><b>On the Definition of Independent Moviemaking<\/b> <\/span><\/p>\n<p class=\"text\">Deeming a film &ldquo;independent&rdquo; is just a matter<br \/>\n  of opinion rather then a definition based on tangibles like budget,<br \/>\n  cast, P&amp;A budget, critics notices, etc.<\/p>\n<p><span class=\"text\"><b>On Avoiding Pigeonholes<\/b> <\/span><\/p>\n<p class=\"text\">In<br \/>\n  deciding your next project, it&rsquo;s more satisfying to defy audience<br \/>\n  expectations then to get pigeonholed by them. Always reinvent yourself.<\/p>\n<p><span class=\"text\"><b>On Making Decisions on the Set<\/b> <\/span><\/p>\n<p class=\"text\">The<br \/>\n  take you are certain is the best while shooting often turns out<br \/>\n  to be least exciting take in the editing room. The moral here: print<br \/>\n  everything.<\/p>\n<p><span class=\"text\"><b>On Actors<\/b> <\/span><\/p>\n<p class=\"text\">There<br \/>\n  are two kinds of actors : the ones that get better the more takes<br \/>\n  you shoot, and the ones that get worse.<\/p>\n<p><span class=\"text\"><b>On the Importance of Craft Services<\/b> <\/span><\/p>\n<p class=\"text\">Good casting is over half the battle. Good writing<br \/>\n  is another quarter. Good craft services finishes the job.<\/p>\n<p><span class=\"text\"><b>On Good Casting<\/b> <\/span><\/p>\n<p class=\"text\">If<br \/>\n  you&rsquo;ve cast the film correctly, then the best thing you can do for<br \/>\n  the actors and yourself while shooting is to stay out of their way<br \/>\n  and concentrate instead on keeping the atmosphere on your set pleasant.<br \/>\n  I.e. if it works, don&#8217;t fix it.<\/p>\n<p><span class=\"text\"><b>On the Emotional Rollercoaster<\/b> <\/span><\/p>\n<p class=\"text\">It<br \/>\n  is entirely possible to hate your film in the morning and fall in<br \/>\n  love with it again by that afternoon. This usually happens late<br \/>\n  in the editing process.<\/p>\n<p><span class=\"text\"><b>On Scheduling<\/b> <\/span><\/p>\n<p class=\"text\">There<br \/>\n  is simply never enough time, no matter how prepared you are.<\/p>\n<p><span class=\"text\"><b>On Being Pessimistic<\/b> <\/span><\/p>\n<p class=\"text\">Expect<br \/>\n  the worst&#8230; then even the small victories seem charmed.<\/p>\n<p><span class=\"text\"><b>On the Importance of Sound<\/b> <\/span><\/p>\n<p class=\"text\">Never<br \/>\n  underestimate the importance of the sound guy.<\/p>","protected":false},"excerpt":{"rendered":"Happy Accidents On the Instinctive Formula If you want to learn what kind of a filmmaker you are then trust [&hellip;]","protected":false},"author":1641,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rank_math_lock_modified_date":false,"disable_comments":false,"tpd_featured_posts_arr":"","hide_featured_img_single_post":false,"msn_featured_video":[],"_msn_custom_title":"","footnotes":""},"categories":[98],"tags":[],"feeds":[],"class_list":["post-1179","post","type-post","status-publish","format-standard","hentry","category-articles-cinematography"],"primary_category":{"term_id":98,"name":"Articles - Cinematography","slug":"articles-cinematography","taxonomy":"category","url":"https:\/\/www.moviemaker.com\/category\/archives\/moviemaking\/cinematography\/articles-cinematography\/"},"thumbnail":false,"fimg_url_thumb":false,"featured_img_medium":false,"author_name":"Tim Molloy","author_avatar":"https:\/\/www.moviemaker.com\/cdn-cgi\/image\/width=100,height=100,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none\/wp-content\/uploads\/2020\/08\/IMG_1078.jpg","author_link":"https:\/\/www.moviemaker.com\/author\/tim-molloy\/","post_categories":["Articles - Cinematography"],"parsely":{"version":"1.1.0","meta":{"@context":"https:\/\/schema.org","@type":"NewsArticle","headline":"Things I&#8217;ve Learned As A Moviemaker","url":"http:\/\/www.moviemaker.com\/things-ive-learned-as-a-moviemaker-15\/","mainEntityOfPage":{"@type":"WebPage","@id":"http:\/\/www.moviemaker.com\/things-ive-learned-as-a-moviemaker-15\/"},"thumbnailUrl":"","image":{"@type":"ImageObject","url":""},"articleSection":"Articles - Cinematography","author":[{"@type":"Person","name":"Tim Molloy"}],"creator":["Tim Molloy"],"publisher":{"@type":"Organization","name":"MovieMaker Magazine","logo":"https:\/\/www.moviemaker.com\/wp-content\/uploads\/2023\/01\/mm_site_logo-2.svg"},"keywords":[],"dateCreated":"2021-05-22T18:22:16Z","datePublished":"2021-05-22T18:22:16Z","dateModified":"2023-01-31T13:22:19Z"},"rendered":"<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"NewsArticle\",\"headline\":\"Things I&#8217;ve Learned As A Moviemaker\",\"url\":\"http:\\\/\\\/www.moviemaker.com\\\/things-ive-learned-as-a-moviemaker-15\\\/\",\"mainEntityOfPage\":{\"@type\":\"WebPage\",\"@id\":\"http:\\\/\\\/www.moviemaker.com\\\/things-ive-learned-as-a-moviemaker-15\\\/\"},\"thumbnailUrl\":\"\",\"image\":{\"@type\":\"ImageObject\",\"url\":\"\"},\"articleSection\":\"Articles - Cinematography\",\"author\":[{\"@type\":\"Person\",\"name\":\"Tim Molloy\"}],\"creator\":[\"Tim Molloy\"],\"publisher\":{\"@type\":\"Organization\",\"name\":\"MovieMaker Magazine\",\"logo\":\"https:\\\/\\\/www.moviemaker.com\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/mm_site_logo-2.svg\"},\"keywords\":[],\"dateCreated\":\"2021-05-22T18:22:16Z\",\"datePublished\":\"2021-05-22T18:22:16Z\",\"dateModified\":\"2023-01-31T13:22:19Z\"}<\/script>","tracker_url":"https:\/\/cdn.parsely.com\/keys\/moviemaker.com\/p.js"},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/posts\/1179"}],"collection":[{"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/users\/1641"}],"replies":[{"embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/comments?post=1179"}],"version-history":[{"count":0,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/posts\/1179\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/media?parent=1179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/categories?post=1179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/tags?post=1179"},{"taxonomy":"feeds","embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/feeds?post=1179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}