{"id":1206,"date":"2021-05-22T11:22:16","date_gmt":"2021-05-22T18:22:16","guid":{"rendered":"http:\/\/development.moviemaker.com\/?p=2799"},"modified":"2023-01-31T05:22:34","modified_gmt":"2023-01-31T13:22:34","slug":"things-ive-learned-as-a-moviemaker-16","status":"publish","type":"post","link":"https:\/\/www.moviemaker.com\/things-ive-learned-as-a-moviemaker-16\/","title":{"rendered":"Things I&#8217;ve Learned As A Moviemaker"},"content":{"rendered":"<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"197\" align=\"right\">\n<tr>\n<td height=\"0\">\n<p class=\"text\"><img loading=\"lazy\" decoding=\"async\" src=\"\/hop\/issues\/06\/images\/inherit.jpg\" width=\"250\" height=\"179\" border=\"1\" align=\"bottom\" alt=\"Jonathan Pryce and Sarah Wynter\" \/><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td height=\"0\" class=\"caption\">Jonathan Pryce as &#8220;Gustav Mahler&#8221;<br \/>\n      with Sarah Wynter as &#8220;Alma Mahler&#8221; in Bruce Beresford&#8217;s historical<br \/>\n      drama <i>Bride of the Wind<\/i>.<\/td>\n<\/tr>\n<\/table>\n<p><span class=\"text\"><b>On Seeing the Big Picture<\/b> <\/span><\/p>\n<p class=\"text\">I like to direct each scene knowing it&#8217;s part<br \/>\n  of a much bigger fabric.<\/p>\n<h4 class=\"text\"><b>On Rehearsing Actors<\/b><\/h4>\n<p class=\"text\">If you rehearse them too much, they get stale.<b><\/b> You need a certain flexibility.<\/p>\n<h4 class=\"text\"><b>On Film as a Collaborative Effort<\/b><\/h4>\n<h4 class=\"text\">If you have a DP or a designer who really opposes<br \/>\n  you, you will end up making three different films.<\/h4>\n<h4 class=\"text\"><b>On Using Color to Reflect Mood<\/b> <\/h4>\n<p class=\"text\">You can make colors cold or warm; you can use them<br \/>\n  to reflect mood. I have done things with the cameraman where the<br \/>\n  character was lonely or upset and we sort of blued the room; made<br \/>\n  all the colors rather cold and unpleasant.<b><\/b> Not in an obvious<br \/>\n  way, but it reinforces the way a character feels.<\/p>\n<p class=\"text\"><b>Filmography<\/b><\/p>\n<p class=\"text\"><i>Boswell for the Defense <\/i>(2001)<i> <\/i><br \/>\n    <i>Bride of the Wind<\/i> (2001)<br \/>\n    <i>Ataturk<\/i> (2000)<br \/>\n    <i>Double Jeopardy<\/i> (1999)<br \/>\n    <i>Sydney: A Story of a City<\/i> (1999)<br \/>\n    <i>Last Dance<\/i> (1996)<br \/>\n    <i>Silent Fall<\/i> (1994)<br \/>\n    <i>A Good Man in Africa<\/i> (1994)<br \/>\n    <i>Rich in Love<\/i> (1992)<br \/>\n    <i>Black Robe<\/i> (1991)<br \/>\n    <i>Mister Johnson<\/i> (1990)<br \/>\n    <i>Her Alibi<\/i> (1989)<br \/>\n    <i>Driving Miss Daisy<\/i> (1989)<br \/>\n    <i>Aria<\/i> (1987)<br \/>\n    <i>Crimes of the Heart<\/i> (1986)<br \/>\n    <i>The Fringe Dwellers<\/i> (1986)<br \/>\n    <i>King David<\/i> (1985)<br \/>\n    <i>Tender Mercies<\/i> (1983)<br \/>\n    <i>Puberty Blues<\/i> (1981)<br \/>\n    <i>The Club<\/i> (1980)<br \/>\n    <i>Breaker Morant<\/i> (1980)<br \/>\n    <i>Money Movers<\/i> (1979)<br \/>\n    <i>The Getting of Wisdom<\/i> (1977)<br \/>\n    <i>Don&#8217;s Party<\/i> (1976)<br \/>\n    <i>Side by Side<\/i> (1976)<br \/>\n    <i>Barry Mackenzie Holds His Own<\/i> (1974)<br \/>\n    <i>The Adventures of Barry Mackenzie<\/i> (1972) <\/p>","protected":false},"excerpt":{"rendered":"Jonathan Pryce as &#8220;Gustav Mahler&#8221; with Sarah Wynter as &#8220;Alma Mahler&#8221; in Bruce Beresford&#8217;s historical drama Bride of the Wind. [&hellip;]","protected":false},"author":1641,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rank_math_lock_modified_date":false,"disable_comments":false,"tpd_featured_posts_arr":"","hide_featured_img_single_post":false,"msn_featured_video":[],"_msn_custom_title":"","footnotes":""},"categories":[98],"tags":[],"feeds":[],"class_list":["post-1206","post","type-post","status-publish","format-standard","hentry","category-articles-cinematography"],"primary_category":{"term_id":98,"name":"Articles - Cinematography","slug":"articles-cinematography","taxonomy":"category","url":"https:\/\/www.moviemaker.com\/category\/archives\/moviemaking\/cinematography\/articles-cinematography\/"},"thumbnail":false,"fimg_url_thumb":false,"featured_img_medium":false,"author_name":"Tim Molloy","author_avatar":"https:\/\/www.moviemaker.com\/cdn-cgi\/image\/width=100,height=100,fit=crop,quality=80,format=auto,onerror=redirect,metadata=none\/wp-content\/uploads\/2020\/08\/IMG_1078.jpg","author_link":"https:\/\/www.moviemaker.com\/author\/tim-molloy\/","post_categories":["Articles - Cinematography"],"parsely":{"version":"1.1.0","meta":{"@context":"https:\/\/schema.org","@type":"NewsArticle","headline":"Things I&#8217;ve Learned As A Moviemaker","url":"http:\/\/www.moviemaker.com\/things-ive-learned-as-a-moviemaker-16\/","mainEntityOfPage":{"@type":"WebPage","@id":"http:\/\/www.moviemaker.com\/things-ive-learned-as-a-moviemaker-16\/"},"thumbnailUrl":"","image":{"@type":"ImageObject","url":""},"articleSection":"Articles - Cinematography","author":[{"@type":"Person","name":"Tim Molloy"}],"creator":["Tim Molloy"],"publisher":{"@type":"Organization","name":"MovieMaker Magazine","logo":"https:\/\/www.moviemaker.com\/wp-content\/uploads\/2023\/01\/mm_site_logo-2.svg"},"keywords":[],"dateCreated":"2021-05-22T18:22:16Z","datePublished":"2021-05-22T18:22:16Z","dateModified":"2023-01-31T13:22:34Z"},"rendered":"<script type=\"application\/ld+json\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@type\":\"NewsArticle\",\"headline\":\"Things I&#8217;ve Learned As A Moviemaker\",\"url\":\"http:\\\/\\\/www.moviemaker.com\\\/things-ive-learned-as-a-moviemaker-16\\\/\",\"mainEntityOfPage\":{\"@type\":\"WebPage\",\"@id\":\"http:\\\/\\\/www.moviemaker.com\\\/things-ive-learned-as-a-moviemaker-16\\\/\"},\"thumbnailUrl\":\"\",\"image\":{\"@type\":\"ImageObject\",\"url\":\"\"},\"articleSection\":\"Articles - Cinematography\",\"author\":[{\"@type\":\"Person\",\"name\":\"Tim Molloy\"}],\"creator\":[\"Tim Molloy\"],\"publisher\":{\"@type\":\"Organization\",\"name\":\"MovieMaker Magazine\",\"logo\":\"https:\\\/\\\/www.moviemaker.com\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/mm_site_logo-2.svg\"},\"keywords\":[],\"dateCreated\":\"2021-05-22T18:22:16Z\",\"datePublished\":\"2021-05-22T18:22:16Z\",\"dateModified\":\"2023-01-31T13:22:34Z\"}<\/script>","tracker_url":"https:\/\/cdn.parsely.com\/keys\/moviemaker.com\/p.js"},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/posts\/1206"}],"collection":[{"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/users\/1641"}],"replies":[{"embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/comments?post=1206"}],"version-history":[{"count":0,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/posts\/1206\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/media?parent=1206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/categories?post=1206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/tags?post=1206"},{"taxonomy":"feeds","embeddable":true,"href":"https:\/\/www.moviemaker.com\/wp-json\/wp\/v2\/feeds?post=1206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}